
Still working on it. It's been suggested that I add the tail end of an Angel wing to the right side of the picture, peeping out from behind the robe.
Also trying to consider placing an item on the engine block. I'm just not sure.

I'm satisfied with this still life, even though my teacher has told me to work a bit more on the squares. I'm going to follow her advice so I don't have the feeling I'm taking the easy way out.
The final for Figure Painting. It didn't turn out as well as I would have liked. But I got it done in time, unlike the guy who was painting frantically when I got to school. Yikes.
My self-portraits are third from the left, both top and bottom. I didn't enjoy painting with the materials much. Apparently people can see that, because one person said: "This person looks both physically and mentally ill." Gee... thanks.
Some of the monoprints in the book are representational. Most are not very realistic. I am fond of this one, it's the inside of Georgia O'Keefe's studio in the story.
Here's a photo of me lining up my book for gluing. Thanks to Andreas for taking the photo.
Here's the slipcase too. The title panel is on the book itself, while the case just has a little tiny monoprint I did last night. I just discovered I can monoprint on my desk. I think I know what I'll be doing all summer.
The exposed strings are to sew the signatures to the accordion-fold of the spine. It's a combination of a couple techniques. I'll find out today whether the teacher likes what I did or not.
Stage 1 of a 5 day painting. Four sessions to go. I have depicted one model's whole torso, and the legs and arm of another. As I go I will begin to use actual (gasp!) color and insert a semi-believable background.
Beautiful day outside. I spent Monday trapped inside the bookmaking room with my books trying to get them done.
A painting in the book about visuals, and a page of the book about text. I worked on them side by side, then gave up when the time crunch came around.
The inside cover paper for my books is some interesting printed rice paper that I love to use and wish I had more of. It's a little too thin, though. The hardest part was sticking it to the board.
This is the first cover I've done. I hope it holds to the board all right. The paper cover is an old sheet of Rives BFK that I did a monoprint ghost on.
And here we have a poor quality photo showing the book board, being glued onto the book cover, and being wrapped around the edge. Also note the jar of funky wheat paste, and big applicator brush. Bone folder is there too. It's just a piece of shinbone, but very necessary.

Jill was a big help with the spackle and take-down today. I'm the one in the dorky apron, looking like my Father.
I'm not getting much in the way of straight instruction from this class, just mostly a LOT of practice. Which also helps.
This is from Figure Painting, of course. I like this short pose painting better than the others that came out of the longer pose. I think tomorrow I will move my easel.
My Mother has always been very understanding of my artwork. Well, perhaps not understanding, but at least abiding. I think she looks forward to the day I have a figurative show instead of an abstract one.
Some figure painting. I think I like the experience I get in the class. Same model we've had for two weeks in Intermediate Life Drawing. I've pretty well memorized her pear shape.
My teacher was impressed with this one. I was too tired to pick my charcoal up off the paper. Damn you, 8am!!

We're studying Matisse and Picasso line drawings, in case you're interested. The teacher is very enthusiastic but when the class starts he begins with a slide show, with the lights off. As soon as that happens I feel my eyes trying to close.